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That’s why we could cut a song a day for 12 days.” “At a certain point, some of the words will change and I’ll start writing a song.” Drummer David Kemper told Uncut: “It was like, ‘Oh God, he’s been teaching us this music, these styles’. “I’ll take a song I know and simply start playing it in my head,” he explained of his writing process. The sessions were, recalls Shaw, “a blast”.ĭylan would turn up at the studio each day with piles of old records, ask the band to learn them, and then shift focus to his own songs.
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Mr Frost, trying to summon the spirit of Robert Johnson, initially demanded his vocals be recorded in a corner of the room, facing a wall, but after two minutes was sat the piano as the band played around him. Recording a song a day for 12 days, the atmosphere was loose with everything tracked live, Sexton and Campbell having learnt to find space for their riffs and solos between Dylan’s avalanches of words. Having ditched A-list producer Daniel Lanois, Dylan took care of business himself, under the pseudonym Jack Frost. It’s Dylan at his lovelorn, hilarious, enchanting and baffling best at the dawn of a new millennium. Throughout this densely woven tapestry, music’s most discerning magpie channels the sound of everyone from Robert Johnson to Hank Williams, the Carter Family, Muddy Waters, Frank Sinatra and Charley Patton, weaving together Appalachian folk, rockabilly, vaudeville, swinging country and all corners of the blues. The title, taken from Eric Lott’s Love & Theft: Blackface Minstrelsy And The American Working Class, reads like a playful acknowledgement of Dylan’s admiration and appropriation of pre-war music.
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READ MORE: 11 times the nylon-string acoustic has broken musical boundaries.Yet Love And Theft is Dylan’s comprehensive love letter to pre-rock American music and his most emphatic salute to blues guitar since the untouchable mid-60s trio of Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde. “The songs don’t have any genetic history,” Bob Dylan informed USA Today as he unveiled his 31st studio album on 11 September 2001.
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